Cordelia Lam

Sarah Kinsley is letting the light in

After a difficult year, the symphonic pop musician charts her way through grief and loss on her long-awaited debut album ‘Escaper’

Karin Ann – ‘Through The Telescope’ review: intricate, emotional folk-pop with a dark edge

After a tough few years fighting illness and cutting her teeth in music, the Slovakian artist delivers a confident and unflinching debut

Lana Lubany: “It never occurred to put elements of my culture in pop music”

The Palestinian-American’s latest bilingual material fuses her affinity for both Arabic and Western music. She tells NME how she’s finally captured an honest portrait of her artistry

Abby Sage invites you to the visual world of ‘The Rot’

In the build up to her debut album, the Toronto-raised songwriter and papier mâché artist has spent countless hours perfecting her craft

Uche Yara belongs to the stage

The fearless rock 'n' roll upstart has delivered one of the year’s most eclectic debut singles with 'www she hot'

The Last Dinner Party: the newly-coronated monarchs of baroque-pop

With their wildly theatrical debut ‘Prelude To Ecstasy’, the five-piece are ready to claim the crown as the UK’s most talked-about new band

Sarah Kinsley – ‘Ascension’ EP review: effervescent songs bursting with joy and promise

The New York musician's potential ascends to new heights on her third EP

Hannah Jadagu has mastered a new kind of coming-of-age album

The Sub Pop signee's debut broadens her range beyond its DIY origins, and mirrors the way that change can heighten emotions

Maggie Rogers live in London: feeling it all, together

Maggie Rogers' return to the stage post-pandemic is an ecstatic celebration of the power of live music

Japanese Breakfast: “There’s freedom and creative growth in not having anything to prove”

Following the success of third album ‘Jubilee’, as well as her stunning, soon-to-be-adapted memoir Crying in H Mart, Michelle Zauner is currently operating at the peak of her powers
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