Lisa Wright

Lime Garden – ‘Maybe Not Tonight’ review: a brilliantly reckless soundtrack to your twenties

A breakup album that wears its messiness on its sleeve, Lime Garden’s second is figuring life out, track by track

Chalk’s uncompromising dance-punk is fuelled by personal vulnerability and political questioning

With one foot in the mosh pit and the other in the rave, the Belfast duo lean into hybridity and maximalism in the name of unity

Mac DeMarco: “When I see Cameron Winter or Mk.gee it’s like, ‘I was there once'”

Ahead of a packed run of UK shows, the slacker icon talks to NME about End Of The Road, new talent, surviving hype, hosting his first Mac's Record Label EOTR showcase, keeping things intimate, and his next move

Dead Dads Club – ‘Dead Dads Club’ review: Chilli Jesson’s most exciting work since Palma Violets

Produced by Fontaines D.C.’s Carlos O’Connell, the record turns a period of grief into triumph

The Cribs – ‘Selling A Vibe’ review: there’s vibrant life in the indie stalwarts yet

Nine studio albums in, and the Jarmans are still adding winning new tricks to their bow

Måneskin’s Thomas Raggi tells us about his star-studded solo debut and what’s next for the band

The guitarist talks to NME about his effort “to put different generations together” on new album 'Masquerade – featuring Tom Morello, Chad Smith, Serge Pizzorno and Alex Kapranos – and returning to the band after their solo dabblings

Nell Mescal is countering life’s toxicities with empathy and kindness

Having earned a devoted following with her personal, folky indie-pop, the Irish singer-songwriter has learned digging deep has its rewards

Maxïmo Park on 20 years of ‘A Certain Trigger’ and ‘indie sleaze’: “I was an idiot! But that’s part of life”

Paul Smith looks back on that classic tour with Arctic Monkeys, the energy of the time, what made them "outsiders" and plans for the future

Bar Italia invite us into the “cheeky, cocky” world of their revelatory new album ‘Some Like It Hot’

After a prolific early run, the London trio return with a big swing record that should cement their place among the UK’s best guitar bands

Julie Dawson on NewDad’s new album ‘Altar’ as a love letter to Galway: “These are the places where creativity thrives”

From homesickness to toxic music industry experiences, the Irish trio’s second record is a document of a band finding and fighting for their place in the world
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