Otis Robinson

Underscores – ‘U’ review: zeitgeisty hyperpop for an overstimulated, isolated generation

A tour-de-force of production chops that cements April Harper Grey as a key auteur in the future of the genre

Elsas makes choral, Spanish alt-pop for lover girls: “Getting my heart broken is a great muse”

Positioning classicality versus contemporaneity, the Spanish musician’s latest EP ‘Aporiamor’ careens from cerebral balladry to buzzing electronica

Jessica Winter – ‘My First Album’ review: cementing her stake in the campy queer pop game

A whiplashing alt-pop debut that rarely strays from its goal of being really good fun, a little bit weird and undeniably camp

Underscores: the hyperpop satirist refusing to regress

After breaking out with a slasher-inspired critique of the American Dream, electronic experimentalist April Harper Grey is turning her focus to emotion and comfort

Courting – ‘Lust For Life…’ review: a heady return from Liverpool genre-hoppers

The British guitar outfit’s third – another ambitious, alternative project – sandwiches classic indie-pop between gutsy art-rock experimentalism

Magdalena Bay – ‘Imaginal Disk’ review: a time capsule of post-internet existentialism

The duo’s second album captures the visionaries at their most expansive: kaleidoscopic and overproduced in all the right ways

Elkka – ‘Prism Of Pleasure’ review: contemplative yet club-ready bangers

This stirring and thoughtful debut proves that the Welsh DJ evidently finds a great sense of catharsis in sharing her world with her listeners

Ericdoa – ‘DOA’ review: dials down the hyperpop without sacrificing vision

Restless and electrifying, this mixtape sees the 21-year-old fuse elements of pop-rock and shoegaze with glitchy bombast
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