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The Cover
NME 100
News
Music
Film
TV
Gaming
Gig Guide
Radar
Search
Trending
Yves
Ariana Grande
Half Man
Bruce Springsteen
Music
News
Features
Reviews
Interviews
Radar
Film
News
Features
Reviews
Interviews
TV
News
Features
Interviews
Reviews
Recaps
Gaming
News
Features
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Album Reviews
My New Band Believe – ‘My New Band Believe’ review: a staggering, sprawling masterpiece from the mind of Cameron Picton
At the helm of an enormous, constantly shifting collective, the former Black Midi man swings for the fences
The Itch – ‘It’s The Hope That Kills You’ review: decadent, freewheeling party underpinned by genuine humanity
On their debut album, the Luton duo push back against everyday rage, disillusionment and frustration with party-starting electro-punk
Earl Sweatshirt, MIKE and Surf Gang – ‘Pompeii // Utility’ review: a sprawling, two-headed opus from rap’s most restless minds
Across 33 tracks, two kindred voices split destruction and reconstruction, fusing hazy soul with cold, industrial edge
Charley Crockett – ‘Age Of The Ram’ review: a bold, ambitious victory for the innovative country star
The songwriter shares the third and final instalment of his ‘Sagebrush Trilogy’, and strikes a captivating balance between tradition and experimentation
Flea – ‘Honora’ review: the Chili Pepper’s jazzy, comforting debut leans back hard
After more than 40 years with the freak-rock aristocrats, the West Coast multi-instrumentalist has put out his first solo album
Elmiene – ‘Sounds For Someone’ review: the arrival of soul’s newest custodian
On his debut album, the Oxford-raised singer turns life’s smallest moments into something brilliantly monumental
Slayyyter – ‘Wor$t Girl In America’ review: pop that finds salvation in the underbelly of American cinema
Chasing the highs of her Tumblr-addled youth, Slayyyter finds her sound in a new strain of brash, sleazy pop
RAYE – ‘This Music May Contain Hope’ review: showstopping musical maximalism at its grandest
The South Londoner’s second album can be a lot to take in, but her unrestrained, all-in approach is worth the journey
Fcukers – ‘Ö’ review: indie sleaze revivalists serve up kaleidoscopic floorfillers
On their debut album, the Brooklyn duo compellingly diffuse their breadth influences through the prism of present-day club culture
Robyn – ‘Sexistential’ review: the pop star’s lust for life is infectious – and thoroughly idiosyncratic
Questioning everything about love, life and sex, Robyn takes us on a joyride that’s both serious and silly
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